Fourteen Letters



重庆来信|倪昆




不识趣儿  


Chongqing Calling|Ni Kun 



insensible 




关于:

倪昆,湖南人,现居重庆。独立策展⼈、艺术写作者 ,曾为艺术家。器·Haus空间联合创办⼈与策展人(2006至今)。日本福冈亚洲美术馆客座研究员(2014。重庆星汇当代美术馆 策展人 (2015-2018)。中国急剧变化的城市进程与全球化背景下的艺术互动,是他持续关注的方向,而在此基础上所展开的关于“城市与再造”,“迁移和游牧”,“艺术与乡村”,“未来与设计”的实验性艺术项目及相关国际论坛的发起,则进⼀步的展现了他对于当前境遇的多重角度的思考。2015年起,在反思艺术机构的社会职能的同时,开始强调以艺术机构的公共教育作为介⼊手段来探讨艺术和公众的关系。其主要策展作品有《亚洲酒店计划》、《我们栖居的地方/KADIST策展项目》、《途中镜子》、《童文敏·规训的逃逸》等。

About:

Ni Kun, lives in Chongqing. He is an independent curator, art writer and former artist. Co-founder and curator of Ware-Haus Space (2006-present Visiting Researcher, Fukuoka Asian Art Museum, Japan (2014. Curator, Chongqing Xinghui Contemporary Art Museum, Chongqing (2015-2018). The interaction between China's rapidly changing urban processes and the globalised context of art has been a constant focus of his work, and on this basis he has developed exhibitions on "City and Reinvention", "Migration and Nomadism", "Art and Countryside "In 2015, while reflecting on the social functions of art institutions, he began to emphasise public education in art institutions as an intermediary to explore the relationship between art and the public. In 2015, while reflecting on the social functions of art institutions, he began to emphasize public education in art institutions as a means to explore the relationship between art and the public. His major curatorial works include The Asia Hotel Project, The Place We Live/KADIST Curatorial Project, Mirror on the Way, and Tong Wenmin - The Escape of Discipline.





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